Benjamin Britten - Peter Grimes

Benjamin Britten (1913-1976)

Peter Grimes, Op. 33 - Opera in a Prologue and Three Acts (1945)

Peter Grimes - Jon Vickers

Ellen Orford - Heather Harper

Captain Balstrode - Jonathan Summers

Auntie - Elizabeth Bainbridge

First Niece - Teresa Cahill

Second Niece - Anne Pashley

Bob Boles - John Dobson

Swallow - Forbes Robinson

Mrs. Sedley - Patricia Payne

Rev. Horace Adams - John Lanigan

Ned Keene - Thomas Allen

Hobson - Richard van Allan

Chorus and Orchestra of The Royal Opera House, Covent Garden

Sir Colin Davis, conductor

Peter Grimes is Britten's most famous opera and arguably his greatest achievement. Although he wrote the role of Grimes for his life-long partner, Peter Pears, it is widely acknowledged that perhaps the greatest interpretation of the role came from Jon Vickers in this recording.

The music is adequately eerie and atmospheric, describing the otherworldly feel of the coastal Borough, which is based on Britten's Aldeburgh, and it continually rustles with the restlessness of the Borough as gossip and hearsay become more and more important in determining whether Grimes is innocent or not. A beautiful piece of work, and in my opinion, one of the greatest operas ever written.

More about the plot:

http://en.wikipedia.org/wiki/Peter_Grimes

Download:

Disc 1

Disc 2

I am afraid for myself

Nikolai Kapustin - Piano Music

Nikolai Kapustin (b. 1937)

Piano Music

Marc-André Hamelin, piano

Kapustin is a Russian composer and pianist who writes really great piano music with a lot of jazz influence. The incredibly technically demanding and rhythmic pieces are a perfect fit for the incredible abilities of Hamelin, and this release is just marvelous.

Enjoy

Carl Orff - Carmina Burana

Carl Orff (1895-1982)

Carmina Burana (1936)

Philadelphia Orchestra

Rutgers University Choir

Janice Harsanyi, Rudolf Petrak, Harve Presnell

Eugene Ormandy, conductor

From Wikipedia:

Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magic images.") Carmina Burana is part of Trionfi, the musical triptych that also includes the cantata Catulli Carmina and Trionfo di Afrodite.

Orff first encountered the text in John Addington Symond's 1884 publication Wine, Women and Song, which included English translations of 46 poems from the collection. Michel Hofmann, a young law student and Latin and Greek enthusiast, assisted Orff in the selection and organization of 24 of these poems into a libretto, mostly in Latin verse, with a small amount of Middle High German and Old Provençal. The selection covers

a wide range of topics, as familiar in the 13th century as they are in the 21st century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust.

This is a really great work, one of the cornerstones of 20th Century choral music. I'm actually singing this tomorrow, and I have been half-jokingly ragging on Orff's tendency to repeat everything a lot of times and over-simplify harmonically. However, it's obvious that it's the intention of the work to achieve an archaic yet oddly out-of-this-world atmosphere, and he does just that with his mixture of homophonic, almost modal writing, along with Stravinskian orchestration and rhythmic construction. I can't think of another work that I can compare to this, and that is always a good thing. If you don't know this, I suggest you give it a shot, it's always mentioned as a good "introductory" piece to classical music, it's really accessible.

Enjoy